I’ve been shortlisted!

Huzzah. The interactive data visualisation I submitted to the Information is Beautiful Awards Hollywood Budgets challenge, FilmStrips, has been shortlisted. Having said that, the shortlist is actually pretty long as a result of having so much good stuff submitted, and I’m really pleased to have been chosen.

There’s some great stuff in there; Hollywood by Mathew Lucas is particularly cool – a crazy, swirling whirlwind of a visualisation. And mad props to Lucas and Octavio, two kids aged nine and ten who entered the napkin challenge. Good work!

Edit: And now FilmStrips is featured on the Guardian Datablog. Ace!

Information is Beautiful challenge #3 – FilmStrips

The third Information is Beautiful challenge is out (and now has an extended deadline, until 6th Feb), and this time it’s all about Hollywood. There’s a huge set of data about films, budgets, types of story and profitability to explore and visualise too – and visualise it I have (you’ll need Flash, and I wouldn’t advise viewing on a mobile!)

After the slightly random punt I entered for the last challenge didn’t get anywhere I went back to look at the entries that had been successful. The winners and shortlisted visualisations all seemed to go for quite traditional interpretations of the data, so this time I’ve gone for a more traditional approach too. There’s a hell of a lot of data here – around 700 films – so going for simple bars a few pixels wide seemed the only way to make something that’s actually intelligible as well as being pretty from a distance. I decided to try an interactive option this time, as that would let me make something that’s fun to play with and explore rather than being flat and static.

Overall I’m pretty pleased with how it’s come out. As always, there’s more stuff I’d add if I had time; a search function to find specific films would be nice, and ideally I’d have spent more time making it more efficient, as all those movieclips in Flash can make it a little sluggish on lower spec machines. I like how it’s actually fun going from an ordered display of data that makes sense to a complete riot of lines and colours with a couple of clicks, and I’m mostly happy with the momentum scrolling and zooming as well, which feels nice and tactile.

So anyway, here’s my finished piece: FilmStrips – movies, money and metadata, visualised. Enjoy!

Vices vs The Crisis – Information is Beautiful’s second challenge

I finally got my arse in gear to have a go at one of the Information is Beautiful challenges. The recent challenge was called Money Panics and is about visualising the economic crisis. There was a whole slew of data provided about GDP and deficits, and I had a valiant go at thinking about how to make sense of the crisis and the plethora of super-clever financial tomfoolery that went so badly wrong. But, surprisingly, researching, understanding and distilling a global economic crisis is actually really hard.

Suitably humbled, I decided to take a slightly sideways look at the crisis, and look at how it affects people’s habits and behaviours – specifically, how it affected vices. Conventional wisdom says that people drink, smoke and gamble their way through hard times – but what happens when the hard times in question mean that it’s tougher to afford those little luxuries?

So to partially answer that question (in terms of correlation, if not causation, and actually raise a load more interesting questions in the process, and while only looking at a fairly small section of much larger trends in society, and probably some other disclaimers too) I give you Vice vs The Crisis:

(click for a larger image; some of the text is pretty small…)

It’s my first attempt at an infographic, so go easy on me. I was kind of expecting the data to tell a different story – one of rising trends – but actually it shows falling levels of drinking and smoking. So while I was a bit disappointed that it wasn’t quite what I expected, it does tell a story of its own.

What do you think? Interesting? Pointless? Pretty? Let me know!

Infographics: info, graphics and that elusive third half

2010, apparently, was the year of the infographic. Huzzah. We’re most of the way through 2011, and it seems like that too has been a year in which it’s hard to move online for visualised data of one kind of another. Whether it’s homespun junk clogging up the internet on one of the ever-spawning 10 Infographics You Must See! type pages or the professionally produced quality work at Information is Beautiful, there are a lot of infographics going round. So what separates the good from the bad? What makes a good infographic?

At the risk of stating the flipping obvious, there are two parts to an infographic: information and graphics. Information is the data or concepts that are the meat of the visualisation. A good infographic represents information that is hard to understand in other formats – say, a whole bunch of really big numbers, or a tangled web of interactions and events.

The other half is the visual design. The design has to be informative, and clear. Successful infographics often make strong use of colour, white-space, easily understood icons – classic design elements all, and I like a lot of infographics purely for the visuals as much as the actual data they represent.

The third element is a synthesis of the two. Good infographics often make clear the relationship between difficult concepts or large data sets by representing them in terms of colour, or size, or space, or layout. They look attractive, but also tell you something.

This elusive third half is what a lot of infographics lack. It’s relatively easy to think of an idea then make it look nice, or to arrange a whole pile of data on a page so it looks nice. But the strength (some would say: the point) of infographics is to bring something else to the party, not just good looks or a mountain-o-stats. The best infographics help you contextualise something you could never conceive of in the abstract.

(A snippet of the Billion Pound O Gram from Information is Beautiful)

The Billion Pound O Gram from Information is Beautiful is a great example. Trying to listen to someone talk about so many billions of pounds is futile – there are only so many zeroes your brain can take in before you want to die, or at least before such huge numbers stop making sense (if they ever did).

But this infographic takes those numbers and contextualises them, lets you see them relative to each other, all in an attractive, easy-to-understand format. You can explore the data, poring over the image to discover little titbits you’d never have thought about before, or would even have considered doing if someone had presented you with the same data in a list, or spreadsheet.

A lot of other “infographics” are either all info or all graphic. There’s a whole series I’ve seen that purports to represent various different schools of thought. They’re all about “explaining philosophy through basic shapes”.

(Image from Society 6, where you can buy a copy if you feel the need)

They don’t. This graphic is in no way informative – at most it’s a pretty weak visual pun: Positivism. Plus sign. Right?

I feel that this kind of infographic is pretty pointless – it’s the kind that are swamping the web, the same way that you can’t turn round without someone trying to flog you a Keep Calm rip-off with some poorly written crap on it.

A few years ago GraphJam (or something like it, I forget the name) used to be funny. It took the trend of pointless visualisations and twisted it back on itself, using pie charts and graphs churned out by Powerpoint to represent completely inappropriate things like lyrics from rap songs. Now the trend of “funny” chartjunk has come full circle and those sites are full of pointless shit graphs representing nothing except a lack of wit. It’s a shame, but these memes do tend to end up eating themselves.

Of course, that’s not to say that infographics aren’t useful – well thought-out, well designed and useful infographics are great. But when it comes to helping people understand information and data, they’re only one tool in a much bigger box of tricks.